Sofia Black-D’Elia is this decade’s Sherilyn Fenn
She’s Mila Kunis 2.0 as Natalie Portman took Winona Ryder
Sofia Black-D’Elia is this decade’s Sherilny Fenn
She’s Mila Kunis 2.0 as Natalie Portman took Winona Ryder
Caught up in cathode ray beauty as it’s real to me, more beautiful than real life could ever be
On tube sets, plasma or LCD, people always seem prettier when they’re on screen
Made up real nice, though they’re divined for conflict, their pain needs to happen so our eyeballs lock
So easy to sympathize when there’s nothing at stake here, when the outcome’s established, a well-worn trope
Sofia Black-D’Elia is this decade’s Sherilyn Fenn
She’s Mila Kunis 2.0 as Natalie Portman took Winona Ryder
Sofia Black-D’Elia is this decade’s Sherilny Fenn
She’s Mila Kunis 2.0 as Natalie Portman took Winona Ryder
Piss stain nights playing alcohol Galaga, clean sheet mornings in Coleco Frenzy
Today I awoke to flames out my window, a field filled with televisions afire
So I’ll scan the sky and stand by the teletype, shoot the reports out as fast as I can
When I break from my duties, I’ll soak in the screen glow, my monitor friends, my static company
Sofia Black-D’Elia is this decade’s Sherilyn Fenn
She’s Mila Kunis 2.0 as Natalie Portman took Winona Ryder
Sofia Black-D’Elia is this decade’s Sherilny Fenn
She’s Mila Kunis 2.0 as Natalie Portman took Winona Ryder
Siberian post-punk group Квалиа pair haunting, discordant atmospheres with urgent vocals for a wonderfully unnerving listen. Bandcamp New & Notable Sep 22, 2020